Programme
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Accompanist
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Venue
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Keyboards and Cantatas
- part of a recital series performing all of Handel's continuo
cantatas and solo harpsichord works
Cantatas
Dolc’č pur d’amor l’affanno – HWV 109a
Nel dolce tempo – HWV 135b
Vedendo amor – HWV 175
Venne voglia ad Amore (or
Amore uccellatore) – HWV 176
Keyboard music
Suite in D minor – HWV 447
Capriccio in F major – HWV 481
Sonatina in B flat major – HWV 585
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Glenn Kesby, counter tenor
Claire Williams, harpsichord |
Handel House Museum, London
A co-production of the Handel House Museum, the London
Handel Society and British Harpsichord Society to commemorate the 250th
Anniversary of Handel's death. |
| Lamentations
The works that make up this
recital deal with grief. However from the sacred and secular
pieces featured, the mood varies from denial and depression to defiant
anger, to the peace of eternal rest and even elation at the forgiveness
of sins.
Ach, daß ich Wassers gnug hätte - J C Bach
cantata
Mir ekelt mehr zu leben - J S Bach from BWV 170
Lasciatemi morire! - Monteverdi
Come away, death - Finzi
Cor ingrato - Handel from Rinaldo
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Baroque Encounter Trio
Glenn Kesby, counter tenor
Lauren Brant, recorders
Claire Williams, harpsichord |
Handel House Museum, London |
Moralische Kantaten (Moral Cantatas) - Telemann
- Die Zeit (Time)
- Hoffnung (Hope)
- Das Glück (Fortune)
- Der Geiz (Avarice)
- Die Falschheit (Falsity)
- Großmut (Generosity)
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Baroque Encounter
Claire Williams, harpsichord
Jennifer Bullock, cello |
Handel House Museum,
London |
A Snapshot of Handel's London
- Corydon - Pepusch cantata
- Fille se fiera sorte -
Porpora cantata
- Mi palpita il cor -
Handel cantata
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Baroque Encounter Trio
Lauren Brant, recorders
Claire Williams, harpsichord
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National Portrait Gallery,
London |
| Telling the Truth about Love
Les nuits
d’été - Berlioz
- Le spectre de la rose
- Absence
- Au cimetiere
Let us garlands bring - Finzi
- Come away, death
- O mistress mine
- It was a lover and his lass
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David Barnard, piano |
St John's Smith Square,
London |
The Raptur'd
Soul
Guadagni: Handel's oratorio castratoArias from Theodora, Messiah,
Samson, Belshazzar, Foundling Hospital
Anthem, L'Allegro and The Choice of Hercules by Handel and
Gluck's Orfeo
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Claire Williams, harpsichord |
Handel House Museum, London
Accompanying
the exhibition "Handel's Castrati"
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| Caccini, Handel, Mendelssohn, Fauré and Offenbach |
Dorothy Hull &
Roger Munns, piano |
La Salle de Spectacle
Florensac, France
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| Handel, Gluck and Mozart arias |
Gábor Bartinai, piano |
Hungarian Academy of Sciences, Budapest
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| Handel, Gluck and Mozart arias |
Gábor Bartinai, piano |
Törökbálint,
Hungary
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| The Pleasures of Restraint
Arias and
duets by Scarlatti, Blow, Handel, Purcell, Monteverdi and Cesti
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Luke Green, harpsichord
Lucy Thomas, soprano |
Chelsea Arts Club,
London |
| Handel and Gluck Arias |
David Willison, piano |
Rye Festival Winter Series
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| A Feast for the Senses
Cantatas by
Handel, Pepusch and Bononcini, Purcell and lute songs and arie antiche
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Hanbarne Baroque Ensemble |
En Plo Hall,
Paphos; andColumbia Beach Resort, Pissouri, Cyprus
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| Lute songs by Dowland, Rosseter, Jones and
Campion |
David Parsons, lute
Debra Pring, recorder |
Tudor Kitchens
Hampton Court Palace
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| Dowland and Purcell to Finzi and Vaughan
Williams |
Jeremy Limb, piano |
Crowne Plaza Hotel,
Edinburgh
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Arie antiche, Lied, opera/oratorio arias
and early English song
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Marie van Hove AM, piano |
Sydney, Australia |